
China Music Industry: Understanding Copyright Ownership, Re-recording, and Statutory Licenses
I. Introduction: The Worldwide Battle Over Masters The recent high-profile conflict between G.E.M. (Deng Ziqi) and her former management company has caused significant waves in the Asian entertainment scene. Central to this dispute is a situation familiar to industry watchers globally: an artist attempting to re-record their own songs to escape the control of a record label, only to be accused of copyright infringement. This situation closely resembles Taylor Swift’s widely publicized efforts to regain control of her musical catalog by re-recording her early albums. Although the details of G.E.M.’s case are specific and currently under legal review, the legal issues involved are universal but carry unique complexities under Chinese Copyright Law. For international music companies, independent artists, and labels aiming to enter or grow in the Chinese market, grasping these subtleties is not just theoretical—it is crucial for safeguarding their assets. This article seeks to break down the Chinese







